In a fantasy, it’s necessary to have someone about whom to fantasize.
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And as Felicity depends on Keri Russell, so Alias depends on Jennifer Garner, a survivor of two failed series and Pearl Harbor. Abrams, the executive producer who is also responsible for Felicity. meets Run Lola Run, which was perhaps to be expected from J. Moreover, for all its paranoid style, Freudian dynamic, and martial artsiness, there is as well a satirical insouciance about Alias, a sort of Girl From U.N.C.L.E. So we are promptly plopped into deep-cover, double-identity, mole-in-a-hole counterspy games. She’ll then discover that her very own exceedingly estranged father (Victor Garber) not only works for the same clandestine outfit she does but also works against it. But when her boyfriend winds up dead, she begins to wonder about her boss (Ron Rifkin) and her career choice ( Crouching Tiger, Bald Eagle). She periodically disappears from grad school to fly off in a red wig to locales like Hong Kong. Sydney Bristow (Jennifer Garner) thinks she’s been working undercover for a secret division of the CIA ever since college. This is because Alias, unlike The Agency on CBS or 24 on Fox, plays with itself. Bad: Where was the intelligence we already paid for when we really needed it? Besides, who will want to watch a lot of play-acting so soon after the mangled steel and the broken bodies? That said, the new CIA show I enjoy the most, ABC’s Alias, now has the trickiest wire to walk. Good: There is every indication of more money for more spies in the immediate future, and fewer scruples about their behavior. What they are probably wondering in networkland is whether the World Trade Center and Pentagon terror-bombings will be good or bad for the three new CIA shows.